This concept, initiated by Seal Phüric, first of all consisted in gathering unfinished sound material which has never found its place on any record, but nevertheless having a particular quality. Trionix, who Seal met up with at the Royal Conservatory of Mons (Belgium - electroacoustic/acousmatic section), quickly joined up for the cause, at first glance surreal, consisting in reworking, remixing, masticating and joining this material with a view to a relatively long abstract soundtrack, using acousmatic techniques without necessarily limiting itself to a basic "style exercise", but inclined to push things in a more instinctive direction, sometimes very physical, aiming at happily freeing the genres without any academic barrier.
